SORRY WE MISSED YOU, de Ken Loach, rodado em película de 16mm (Kodak Vision3 250D 7207, Vision3 200T 7213, Vision3 500T 7219).
«(...) the innate texture and grain of 16mm has a unique character, which you just don’t get with digital. To my mind, 16mm delivers a more honest image, and you can certainly feel it in the human family drama in SORRY WE MISSED YOU», Robbie Ryan, director de fotografia do filme.
«(...) the innate texture and grain of 16mm has a unique character, which you just don’t get with digital. To my mind, 16mm delivers a more honest image, and you can certainly feel it in the human family drama in SORRY WE MISSED YOU», Robbie Ryan, director de fotografia do filme.
[Fonte: Kodak].
[Imagem: Joss Barratt / Sixteen Films / BBC Films].
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