quinta-feira, 22 de junho de 2017
Blockbuster em Película #8
THE WALL, de Doug Liman, rodado em película de 16mm (Kodak Vision3 50D 7203).
Post Magazine: Why did you and DP Roman Vasyanov decide to shoot 16mm anamorphic?
Doug Liman: A bunch of reasons — the harsh weather, the low budget and short shoot, going with natural light, and 16mm unlike 35mm doesn’t need to be threaded — it just pops into the camera very quickly. And there’s a grain pattern to 16mm anamorphic that isn’t like anything else, and shooting in the desert it can make the environment more beautiful, and more dramatic.
[Fonte: Post Magazine]