THE MAGNIFICENT SEVEN, de Antoine Fuqua, rodado em película Kodak 35mm (Arriflex 235, Panavision Panaflex Millennium XL2).
«The sheer depth, range, vibrancy and tonality of color you get from shooting on negative was a satisfying shock. The image is less clinical than digital - there are no hard edges, the colors blend smoothly, and there's a visually pleasing contrast curve from highlight to shadow.», Mauro Fiore, director de fotografia do filme.
[Fonte: Motion.Kodak]
