Blockbuster em Película #7

THE MAGNIFICENT SEVEN, de Antoine Fuqua, rodado em película Kodak 35mm (Arriflex 235, Panavision Panaflex Millennium XL2).

«The sheer depth, range, vibrancy and tonality of color you get from shooting on negative was a satisfying shock. The image is less clinical than digital - there are no hard edges, the colors blend smoothly, and there's a visually pleasing contrast curve from highlight to shadow.», Mauro Fiore, director de fotografia do filme.

[Fonte: Motion.Kodak]

Blockbuster em Película #4

VELOCIDADE FURIOSA 6, de Justin Lin, rodado em película Kodak 35mm (Arricam LT, Arricam ST, Arriflex 235 e Arriflex 435 Xtreme).



«He [Justin Lin] just still likes the texture of film. He said: I just like the idea that only a handful of people on this set really know what a 35mm camera really does and that there’s still a magic there with that... I just want you and me and the operator and the focus puller — my key people, to craft and make the film and then I can concentrate on the rest of it.», Stephen F. Windon, o director de fotografia do filme.

[Fonte: PICHA.]

Blockbuster em Película #3

DIE HARD: NUNCA É BOM DIA PARA MORRER, de John Moore, rodado em 35mm (Arricam LT, Arriflex 235 e Arriflex 435).





[Fonte: Shot on What?.]